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1995 film

The Pebble and the Penguin
PEBBLE.JPG

Theatrical release affiche
Directed by Don Bluth (uncredited)
Gary Goldman (uncredited)
Screenplay by Rachel Koretsky
Steven Whitestone
Produced by Russell Boland
Don Bluth (uncredited)
Gary Goldman (uncredited)
John Pomeroy (uncredited)
Starring
  • Martin Curt
  • James Belushi
  • Tim Curry
  • Annie Golden
Narrated by Shani Wallis
Edited by Fiona Trayler
Aran O'Reilly
Music by Barry Manilow
Marker Watters

Production
company

Don Bluth Limited
Distributed past MGM/UA Distribution Co. (Usa)
Warner Bros. (International)

Release date
  • April 12, 1995 (1995-04-12) (United States)[1]

Running time

 74 minutes
Countries United States[1]
Ireland
Linguistic communication English
Budget $28 million
Box office $3.9 million[two]

The Pebble and the Penguin is a 1995 animated film directed by Don Bluth and Gary Goldman. The film stars the voices of Martin Short, Jim Belushi, Tim Curry, and Annie Golden. Based on the true life mating rituals of the Adélie penguins in Antarctica, the motion-picture show focuses on a timid, stuttering penguin named Hubie who tries to impress a beautiful penguin named Marina by giving her a pebble that fell from the sky and keep her from the clutches of an evil penguin named Drake who wants Marina for himself.

Towards the end of production, Metro-Goldwyn-Mayer significantly changed the picture, forcing Don Bluth and Gary Goldman to exit their moving-picture show and need to have their names taken off the moving-picture show. The two would later starting time working at Trick Animation Studios.

The film was released in the United States on April 12, 1995, past MGM/UA Distribution Co.,[1] receiving mixed to negative reviews from critics and being a box office bomb, grossing only $3.ix million against a $28 million budget. This is the last motion picture to be produced by Sullivan Bluth Studios before the studio was closed downward on October 31, 1995 (due to bankruptcy).

Plot [edit]

In Antarctica, the Adélie penguins practice a tradition where during the mating flavour, the male birds gather on the beaches to detect a pebble to use in a mating ritual, and during the nighttime of the total moon mating ceremony, the males propose to the female they love past presenting their pebble to them, and if they accept it, they get a married couple.

Hubie, a shy and good-hearted male person penguin, loves Marina, the virtually beautiful penguin in the rookery who also seems to like him, but his evil archrival Drake, a muscular penguin who is said to always get his way, similarly covets Marina'south affection. I night, Hubie and Marina talk over their feelings for each other, but Hubie is unable to find a suitable pebble to propose to Marina with due to both his clumsiness and the other penguins desperately trying to find pebbles too. He wishes on a star to make his dream come true and he receives a cute emerald cube from the sky. The next morn, Hubie ecstatically rushes to discover Marina, but Drake thwarts him and taunts him, telling him nobody will marry somebody like him. When Drake demands Hubie to give him the emerald, Hubie refuses and Drake throws him into the water. Hubie narrowly escapes from a leopard seal and climbs onto a piece of an iceberg where he is swept abroad from Antarctica.

Hubie, afterward sleeping for 3 days, is picked up by humans and caged on their ship chosen "Misery", which transports penguins to a zoo, and meets a tough, grumpy, streetwise and somewhat arrogant but proficient-hearted Northern rockhopper penguin named Rocko. After seeing a vision where Drake tries to hound Marina into marrying him and tells her that she'll be banished if she doesn't detect a mate before the mating ceremony, Hubie decides to escape with Rocko and flees, before laying low on a embankment. Rocko reluctantly tells Hubie about his want to fly and live in a tropical climate. He convinces him to assist him return to Antarctica by making up a lie nearly a flying penguin named Waldo. They have a short fight after Rocko tries to fly off to "an authentic, ancient aviarial airstrip" and another after Rocko saves Hubie from a killer whale. The next forenoon, the two endeavour to depart, but Hubie admits to Rocko that he lied to him almost Waldo, which infuriates Rocko to the indicate where he attempts to attack Hubie, but soon starts laughing when Hubie does an impression of a wheezing noise, and praises Hubie's determination to return to Marina. Hubie and Rocko run into the hungry and persistent leopard seal simply are able to escape it. With that, they get true friends, and Rocko after teaches Hubie how to fight for Marina when the fourth dimension will come. All the same, their joy is short-lived equally 3 killer whales set on them, causing Hubie's pebble to get lost in the scuffle and Rocko to become missing, leaving Hubie to think he perished. Disheartened, Hubie eventually finds Drake's lair, and finds out that Drake had kidnapped Marina to force her to be his mate. Drake and Hubie charge at each other, but the sometime ends up knocking Hubie out and, thinking he won, tries conveying Marina off to the depths of his lair. Hubie, however, resuscitates and, remembering what Rocko taught him, fights Drake past doing martial arts and initially defeats him by dropkicking him off the stairway.

Hubie becomes overjoyed when Marina accepts his marriage proposal, and even more overjoyed when Rocko reveals himself to exist live. Suddenly, while reuniting, Hubie and Rocko hear Marina scream in terror as Drake lifts the stair she was standing on and, in a final attack, throws it at Hubie. The two penguins both contrivance the large rock just in time. The impact considerably damages Drake's tower with i of the slabs from the overhang burdensome him instead. Rocko, nevertheless, rescues Hubie and Marina as the belfry collapses while somehow becoming able to wing. When they get in at the ceremony, Rocko gives Hubie his pebble and he presents it to Marina, and she tells him that she loves his pebble, but loves him even more and the two become mates. Rocko decides to stay in Antarctica with the moving picture endmost on him teaching Hubie and Marina's offspring how to fly.

Bandage and characters [edit]

  • Martin Brusk every bit Hubie, a shy and kind-hearted Adélie penguin.
  • Annie Golden equally Marina, a beautiful female person penguin.
  • Jim Belushi equally Rocko, a grumpy, but streetwise Northern rockhopper penguin.
  • Tim Curry as Drake, a vain and night-hearted penguin.
  • Alissa King as Petra
  • Louise Vallance as Priscilla and Chinstrap 2
  • Volition Ryan as Royal and Tika
  • Neil Ross as Scrawny
  • Stan Jones as McCallister
  • S. Scott Bullock every bit Chubby and Gentoo
  • Philip L. Clarke as Male monarch
  • Shani Wallis as the narrator
  • B. J. Ward as Magellanic 1
  • Hamilton Camp as Megellenic 2
  • Angeline Brawl every bit Gwynne and Chinstrap three
  • Kendall Cunningham as Timmy
  • Pat Musick as Pola and Chinstrap 1
  • Michael Nunes as Beany
  • Maggie Roswell as additional voices[3]

Production [edit]

Conception [edit]

The Blithe Movie Guide said "considering the artistic and financial success of Disney's Beauty and the Beast, Don Bluth and Gary Goldman decided to cater to the dating crowd, in addition to preschoolers".[four] The Pebble and the Penguin was produced by Don Bluth Ireland Express. Production began in Nov 1991. The working title of the picture was A Penguin Story. In 1994, "Bluth spoke enthusiastically of such awaiting projects as The Pebble and the Penguin and A Troll in Central Park".[v] The picture was originally slated for release in summertime 1994 (while Thumbelina was scheduled for November 1993 and A Troll in Key Park was scheduled for March 1994), but due to some production difficulties (and probably to avoid competition with The Lion King, Baby'due south Day Out, Speed, and Forrest Gump), the film'due south release date was changed to Apr 1995.[6]

Animation and research [edit]

Though Bluth Productions was based in Dublin, artists from Ireland, England and Hungary worked on the projection, at least seven directing animators working on the film; among them John Pomeroy.[7] The penguins in the film are clothed. Humans wearing penguin costumes were filmed and then used as photostat references for the animators.[4] The iconic quote from Hubie, "Goodness glaciers!" besides equally his overall appearance, is a sly reference to Gentleman Glacier, an old Canadian paper cartoon used to illustrate snowfall aggregating each year.[ commendation needed ] Just two scenes in the motion picture were "augmented by computer animation", one of which being "The Good Send Misery" song sequence.[8] The opening credit and overture sequence has the animated penguin characters playing and dancing on the sail music for the songs in the film.[ commendation needed ] According to The Costless Lance–Star, the animators researched for the film by "watching documentaries and visiting zoos, such as San Diego's SeaWorld and Scotland's Glasgow Zoo". The site added that in promotional material, the animators explained they "discovered that the land of snow and ice shines with many dissimilar hues".[eight]

Production problems [edit]

During a late stage in the product, MGM insisted for numerous changes to be fabricated to the film, such as removing some characters, trimming downwards some sequences, scenes beingness cut from the final product, and having the voices be re-recorded. As a result, the animation, in particular the special effects, fell backside and to make sure the movie made it to the deadline, additional coloring had to be done at Reflex Animation Ltd, a Hungarian animation studio. Don Bluth and Gary Goldman were and then dissatisfied with the changes MGM was insisting that they left during production (to help prepare Fox Animation Studios) and demanded to exist uncredited as the directors.[9] The book Animated Films said, "changes at MGM during production...resulted in the project being affected in terms of production value".[10] In a 2001 edition of his magazine Toon Talk, Bluth admitted: "Penguin had story bug. We knew it. The crew knew it". Though he attempted to fix these issues when his Irish studio got taken over by the Hong Kong company Media Assets, "the story and motion picture were now compromised", so neither he nor Goldman stayed. They had their names removed from the film'south credits and accepted an offer by Nib Mechanic - 20th Century Play a joke on'southward then-president - to set a new animation studio in the Usa (which would become Pull a fast one on Animation Studios). Bluth said to his animation crew "I can't chew with someone else'south mouth".[four] Despite this executive interference, The Animated Movie Guide noted MGM/UA producer Walter Mirisch's comments on the film: "I recall information technology'south one of Don's best films ever...In that location's no issue of our challenge the credit for this. Information technology'southward his motion picture".[4]

Music [edit]

The songs were written by Barry Manilow, who previously wrote the songs for Thumbelina, along with longtime collaborator and lyricist Bruce Sussman.[eight] The motion picture's score was composed past Mark Watters. Manilow, who had "started off wanting to be a composer", got an opportunity to do this when he was approached to "compose songs and the underscore" for the film and Thumbelina.[11] The songs and score for the soundtrack were both performed past the Irish Film Orchestra and the Irish Chamber Choir.[12] Barbadian vocaliser Geoffrey Holder sang the deleted song "The Beachmaster" for the film.[13]

An accompanying soundtrack was released on April 11, 1995. This soundtrack is currently out of print. The soundtrack includes diverse artists with actors singing their parts for the moving-picture show, including Martin Short, Annie Golden, Tim Curry, and James Belushi among others. he album was given a rating of ii and a one-half stars at Allmusic.com. Reviewer Peter Fawthrop wrote: "Barry Manilow's soundtrack would accept upped the mediocrity on a better project, only The Pebble and the Penguin equally a film was conceived with such dismal effort from the and so struggling Don Bluth studio that the songs and score work on a somewhat passing level".[12]

The version of "Now and Forever" sung by Barry Manilow and Sheena Easton is not on the soundtrack, but was later put on Barry Manilow album Duets and a later reissue of this soundtrack equally a bonus track when Kid Rhino reacquired the rights in 2012.[12]

Songs [edit]

Original songs performed in the motion-picture show include:

No. Title Performer(s) Length
1. "Now and Forever" Annie Aureate & Chorus
2. "Sometimes I Wonder" Martin Short
three. "The Good Send Misery" Neil Ross, Will Ryan, Philip L. Clarke & Chorus
four. "Don't Make Me Express joy" Tim Curry
5. "Sometimes I Wonder (Reprise)" Annie Golden
6. "Looks Like I Got Me a Friend" Martin Brusque & Jim Belushi
vii. "Now and Forever (Finale)" Barry Manilow & Sheena Easton

Release [edit]

Theatrical [edit]

The Pebble and the Penguin was released in the United states of america and Canada on April 12, 1995. When the film was nearing completion, Metro-Goldwyn-Mayer purchased the distribution rights in Northward America, while Warner Bros. under its Family Entertainment characterization obtained the foreign distribution rights.

Marketing [edit]

The film's tagline was "The chance of a lifetime begins with one small pebble".[14] Seventy-5 readers of San Antonio Express-News each won four tickets to the motion-picture show. The special showing was held at 11 a.chiliad. on Apr 8 at the Embassy Theaters.[xv] The Pebble and the Penguin was cross-promoted with Anheuser-Busch's Sea World Parks.[16]

Driving Mr. Pinkish [edit]

The Pebble and the Penguin was accompanied in its theater run by a new Pink Panther short entitled Driving Mr. Pink in the United States,[17] which was adapted from an episode of the successful Pinkish Panther Boob tube series (though The Pebble and the Penguin was accompanied in its theater run by a new Looney Tunes short entitled Carrotblanca internationally). The short was directed past Charles Grosvenor and Byron Vaughns, and the pb animator was David Feiss, who would proceed to create Cow and Chicken and I Am Weasel. The brusk likewise featured the character of Voodoo Human being from the 1995 TV show.[4] Information technology is a late one-off short in the Pink Panther short serial – they were abundant and popular until 1980.[18] SFGate described the curt as "loud, obnoxious, [and] idiotic".[7]

Reception [edit]

Box role [edit]

The Pebble and the Penguin did poorly at the box office, grossing a lilliputian over $3.9 million against a $28 million budget, mainly considering it was overshadowed by A Goofy Movie which was released five days earlier.[2] Nonetheless, the movie became popular amongst audiences and afterwards gained a cult following through habitation video releases.[nineteen] [20]

Critical reception [edit]

1 of animator Don Bluth'south lesser efforts, The Pebble and the Penguin is beautiful simply little more. The primary culprit is the script; bated from the unusual setting and small-scale parcels of information about Emperor penguins, is hackneyed and uninvolving. The conclusion to focus on the human relationship between Hubie and Rocko (while relegating the leading female person character to nothing more a trite dryad-in-distress role) is unfortunate, as the writers bring zip new to the "buddy" concept and their attempts at humorous dialogue for the pair are oftentimes painful. With the exception of a song that pays homage to Bertolt Brecht and Kurt Weill, the Barry Manilow-Bruce Sussman songs are even worse. Bluth is incapable of creating bad animation, and there are several sequences (especially those taking place underwater) that have moments of beauty; overall, however, the blitheness doesn't take enough sparkle to breathe life into the movie. The cast is certainly not at fault, with Martin Short doing everything short of bursting through the screen to concord the viewer's attention, Tim Curry turning in a reliably sinister performance, and Annie Golden lending her powerful and unique belt to the little she is given to sing. Penguin is not totally without charm -- just the amount it has could most be fit into a pebble.

A review of the film by AllRovi, concisely summing up the general consensus amongst reviews.[21]

On Rotten Tomatoes the picture has a rating of 10% based on x reviews, with an average rating of 3.38/10.[22] The flick was given a Two Thumbs Down on Siskel & Ebert, with Gene Siskel noted that the film'due south animation looks "cheap and unfinished" and that "none of the songs are memorable" while Roger Ebert added his dislike of the "impaired songs", "light-headed story", and the film'southward color-coding of its heroes and villains.[23] [24] Ebert took this a step further past arguing: "What practise kids learn from this? Nothing overt. Just a quiet, unstated impression: White is good and brave, and brown is scheming and negative. Reinforce that through lots of cartoons (examples: Aladdin and The Rescuers Down Under) and no wonder fifty-fifty black children cull white dolls in some psychological experiments".[25] Deseret News said "the songs are forgettable, the story one-note and the characterizations quite weak".[26] The Austin Relate said the film "lacks dramatic construction and narrative drive: Songs and blithe activity pieces are narratively connected but the film doesn't feel as though it is an organic whole. All the elements are here, they just don't come together".[27] Fourth dimension Out wrote: "The characterisations are weak and unendearing. Worse, the large 'action' sequences turn up with the pacing and predictability of clock chimes. And, in what is perhaps the final great medium for musicals, the perfunctoriness of Barry Manilow's songs and arrangements seem guaranteed to put off yet some other generation".[28] The New York Times wrote that 4 would be "the optimum historic period for viewers of this gentle, blithe musical", calculation that "the activeness seems flat and depression-rent compared to those earlier movies", and that it "doesn't accept the vivid characters, first-charge per unit animation or sense of hazard that turns movies like The Panthera leo Male monarch into incessantly watchable favorites".[29]

Washington Postal service Staff Writer Hal Hinson wrote "the banality of the story, the pallid await, the flatness of the characters add upward to a product that is, at best, second rate".[17] SFGate said the "gnashing whale scenes are intense enough to push the G-rating envelope".[seven] The Spokesman-Review wrote that "it is merely an boilerplate endeavor in near every respect".[30] The Tape said "the orchestration is also fancy, as well loud and often drowns out the lyrics. This is a kid's moving-picture show, just musically it sounds like a total-costume Broadway testify with full-supporting chorus line. Information technology's a little disturbing to see a children's flick that perpetuates the erroneous image of killer whales as tearing creatures. It is, yet, a perfect indication of the limited imagination which went into writing The Pebble and the Penguin".[31] The Free Lance–Star said the movie got a "mannerly mating ritual" and turned it into "sappy action romance with celebrity voices".[8] The book Gimmicky North American Film Directors suggested that the film suffered from "the same unimaginative and clichéd Disney of the 1970s that Bluth had been so critical of".[32] The Animated Picture show Guide said, "the hero was a stuttering wimp, the songs didn't advance the plot, the dialogue was incessant and superfluous, and the pacing was plodding and dull", and too said the film was an "utter waste of talent and resources", due to interference from external forces.[four]

Some critics did praise various aspects of the pic, specially in regard to Bluth's animation. These reviews, however, were almost exclusively mixed. Common Sense Media said that "the background animation of capricious weather condition conditions is lovely, as are the pinnacle-notch original songs by Barry Manilow and Marker Watters".[33] Deseret News wrote: "Bluth's forcefulness continues to exist colorful, classical-style blitheness, and there are some gorgeous moments here — especially some underwater sequences".[26] The Austin Chronicle wrote: "The Pebble and the Penguin features some beautifully blithe sequences [...] The characters are swell and the voice talents of Martin Brusque...and James Belushi...are terrific".[27] Variety said the film has a "heartwarming story, some lively songs and professional person animation", adding that it is "a sugariness, enjoyable romantic tale more than probable to succeed as an afternoon diversion on abode video than on the large screen".[34] The New York Times wrote "the tunes Mr. Manilow has written for the movie are, like his familiar popular standards, bouncy and tricky", and commented that "the blitheness is fine".[29] Washington Post staff writer Hal Hinson wrote that "a flourishing opening number—titled 'Here and At present'—proves that Brusque can belt out a song with the best of them", calculation that the "Bluth studio mode of blitheness is passable, and, in the case of a Brecht-Weill flavored production number, occasionally inspired".[17]

SFGate described the "bear witness-tune- style songs" as "pleasant only forgettable", calculation that "the singing past Brusque, Belushi, Curry and Broadway belter Golden is the best matter nearly the film". It besides noted that "one of the obvious obstacles was how to colour a motion picture whose natural shadings tend toward black, white and degrees of gray. The effect is a lot of odd only fascinating colorations -- the sky might turn up yellow at times, or the ocean a deep maroon".[7] The Spokesman-Review' wrote "in an era when G-rated movies are as rare as Hollywood humility, whatsoever attempt at family amusement should be lauded", calculation "let u.s.a. salute Don Bluth and his squad of animators".[xxx] In a rare case, The Daily Gazette gave the pic 4 stars.[35] Monica Sullivan of Flick Magazine International noted that the film was "heartily enjoyed past the two picayune girls who saw information technology with me at a kiddie matinee".[36]

Awards [edit]

The 2007 DVD release of The Pebble and the Penguin was nominated for a Satellite Honour for "Best Youth DVD" from the International Press University but was browbeaten by Disney and Pixar's Ratatouille.[37] [38]

Habitation media [edit]

The Pebble and the Penguin was released on VHS and LaserDisc by MGM/UA Home Video on Baronial 15, 1995.[four]

Throughout 1997, songs from the film were released alongside others from the MGM vaults in 4 MGM Sing-Along cassettes released by MGM/UA Domicile Video. The loosely themed tapes had titles such as "Searching for Your Dreams", "Having Fun", and "Being Happy".[39] The Pebble and the Penguin was first released past MGM Dwelling house Amusement on DVD on January 19, 1999.

A "Family unit Fun Edition" of the film was released only in the U.s.a. and Canada on March 27, 2007, past 20th Century Play a joke on Home Amusement. Though they were initially unsatisfied with how the flick turned out, Don Bluth and Gary Goldman returned to supervise the restoration for the "Family Fun Edition", which features color corrections, refielded scenes to hide missing effects and correct other errors from the theatrical and LaserDisc releases and the VHS and un-restored 1999 impress of the DVD releases.[40] [41] The Family Fun Edition was nominated for the Satellite Award for Best Youth DVD.

The 2007 DVD release of The Pebble and the Penguin was co-ordinate to The Hindu News a function of a wave of penguin-related media consisting of March of the Penguins, Happy Feet, Farce of the Penguins, and Surf's Up.[42] This trend was besides picked up on by The Paramas Postal service[43] and The Age.[44] In 2010, the moving-picture show was re-released along with Rock-a-Doodle as a double sided DVD, merely the DVD print utilized is the open matte and un-restored 1999 DVD.[45]

The picture show was released on Blu-ray for the first time on October 11, 2011.[46]

References [edit]

  1. ^ a b c "The Pebble and the Penguin". AFI Catalog of Characteristic Films . Retrieved 8 Oct 2019.
  2. ^ a b "The Pebble and the Penguin (1995)". Box Office Mojo.
  3. ^ Maggie Roswell at maggieroswell.com
  4. ^ a b c d east f grand Beck, Jerry (March 30, 2002). The Animated Movie Guide - Jerry Beck - Google Books. ISBN9781569762226 . Retrieved October 19, 2013.
  5. ^ "An Blithe reputation Artist blooms in Disney's shadow". Fort Worth Star-Telegram. April 1, 1994. Retrieved Oct 23, 2015.
  6. ^ Anderson, George (Apr 4, 1992). "Animator sees cartoon features improving". Pittsburgh Postal service-Gazette. p. x. Retrieved Jan 17, 2012.
  7. ^ a b c d Peter Stack (Apr 14, 1995). "Penguin Love Melts the Ice in 'Pebble' / Animated movie has famous voices". SFGate . Retrieved Oct 13, 2013.
  8. ^ a b c d Sumner, Jane (April 14, 1995). "'Penguin' a flightless bird". The Gratuitous-Lance Star . Retrieved October 23, 2015.
  9. ^ Dobson, Nichola (Apr 1, 2010). The A to Z of Blitheness and Cartoons - Nichola Dobson - Google Books. ISBN9781461664024 . Retrieved October 19, 2013.
  10. ^ Clarke, James (September xxx, 2012). Animated Films - Virgin Film - James Clarke - Google Books. ISBN9781448132812 . Retrieved October 19, 2013.
  11. ^ "Manilow'due south new niche Writing 'Thumbelina's score gives the hugely popular guy a crack at his favorite dream". Fort Worth Star-Telegram. April 5, 1994. Retrieved October 23, 2015.
  12. ^ a b c "The Pebble & the Penguin - Original Soundtrack | Songs, Reviews, Credits | AllMusic".
  13. ^ Méndez-Méndez, Serafin; Mendez, Serafín Mendez; Cueto, Gail; Deynes, Neysa Rodríguez; Rodríguez-Deynes, Neysa (2003). Notable Caribbeans and Caribbean Americans: A Biographical Dictionary - Serafín Mendez Mendez, Gail Cueto, Neysa Rodríguez Deynes - Google Books. ISBN9780313314438 . Retrieved October xix, 2013.
  14. ^ The Pebble and the Penguin , retrieved 2019-09-25
  15. ^ "San Antonio Express-News, Athenaeum | mySA.com". Nl.newsbank.com. April half-dozen, 1995. Retrieved October 19, 2013.
  16. ^ Billboard - Google Books. July 29, 1995. Retrieved October 19, 2013.
  17. ^ a b c "'The Pebble and the Penguin' (G)". Washingtonpost.com. April 13, 1995. Retrieved October xix, 2013.
  18. ^ Grant, John (August 2006). Blithe Movies Facts, Figures & Fun - John Grant - Google Books. ISBN9781904332527 . Retrieved Oct nineteen, 2013.
  19. ^ "Barry Manilow Song Lists". Letssingit . Retrieved 24 January 2022.
  20. ^ "Don't forget your mitts: x best animated winter movies, ranked". Screenrant . Retrieved 24 January 2022.
  21. ^ "The Pebble and the Penguin (1995) - Trailers, Reviews, Synopsis, Showtimes and Cast - AllMovie". Allrovi.com. Archived from the original on 2013-06-16. Retrieved October nineteen, 2013.
  22. ^ "The Pebble and the Penguin (1995) - Rotten Tomatoes". Rotten Tomatoes. IGN Entertainment.
  23. ^ Siskel, Gene and Roger Ebert (April 1995). "The Pebble and the Penguin Movie Review". Disney–ABC Domestic Television. Retrieved Baronial 28, 2010. [ dead link ]
  24. ^ Ebert, Roger (June 1, 1995). "The Pebble and the Penguin". The Day . Retrieved October 23, 2015.
  25. ^ Schmidlin, Charlie (April 12, 1995). "The Pebble And The Penguin Moving-picture show Review (1995)". Roger Ebert. Retrieved Oct 19, 2013.
  26. ^ a b Chris Hicks (April 22, 1995). "Film review: Pebble and the Penguin, The". Deseret News . Retrieved Oct 19, 2013.
  27. ^ a b "The Pebble and the Penguin - Flick Agenda". The Austin Chronicle . Retrieved October 19, 2013.
  28. ^ WH (July 23, 2007). "The Pebble and the Penguin | review, synopsis, book tickets, showtimes, picture release engagement | Fourth dimension Out London". Timeout.com. Retrieved Oct 19, 2013.
  29. ^ a b James, Caryn (April 12, 1995). "Movie Review - The Pebble and the Penguin - FILM REVIEW; A Feathery Fable of Love And Other Mushy Stuff - NYTimes.com". Movies.nytimes.com. Retrieved Oct 19, 2013.
  30. ^ a b "The Pebble and the Penguin". The Spokesman-Review. April 27, 1995. Retrieved Oct 23, 2015.
  31. ^ "Pebble and the Penguin a pleasant children's film". Pqasb.pqarchiver.com. April 21, 1995. Retrieved October xix, 2013.
  32. ^ Allon, Yoram; Cullen, Del; Patterson, Hannah (2002). Gimmicky North American Film Directors: A Wallflower Critical Guide - Google Books. ISBN9781903364529 . Retrieved October 19, 2013.
  33. ^ "The Pebble and the Penguin - Motion picture Review". Commonsensemedia.org. December 3, 2007. Retrieved October nineteen, 2013.
  34. ^ Leonard Klady (April 10, 1995). "The Pebble and the Penguin". Diversity . Retrieved October 19, 2013.
  35. ^ "The Pebble and the Penguin". The Daily Gazette. April 29, 1995. Retrieved October 23, 2015.
  36. ^ "MMI Review: The Pebble And The Penguin". Shoestring.org. Retrieved Oct xix, 2013.
  37. ^ The Pebble and the Penguin - IMDb , retrieved 2019-09-25
  38. ^ Ratatouille - IMDb , retrieved 2019-09-25
  39. ^ Billboard - Google Books. January 11, 1997. Retrieved October 19, 2013.
  40. ^ "Ask Us Questions". donbluth.com. Archived from the original on May 29, 2007. Retrieved Oct 19, 2013.
  41. ^ "Motion picture Facts - The Pebble and the Penguin Museum". sites.google.com . Retrieved 2020-07-07 .
  42. ^ "The Hindu News Update Service". Chennai, Republic of india: Hindu.com. March 30, 2007. Retrieved October nineteen, 2013.
  43. ^ "Are penguins trying to take over the world or but popular civilization? - The Paramus Post - Greater Paramus News and Lifestyle Webzine". The Paramus Post. Retrieved Oct 19, 2013.
  44. ^ "Penguins galore - Moving-picture show - Entertainment". theage.com.au. Melbourne. April ii, 2007. Retrieved October xix, 2013.
  45. ^ "Pebble & The Penguin/ Rock-a-Doodle (Two-Pack)". Amazon. Retrieved October 23, 2015.
  46. ^ "The Pebble and the Penguin Blu-ray". Blu-ray.com. Retrieved October 23, 2015.

External links [edit]

  • The Pebble and the Penguin at IMDb
  • The Pebble and the Penguin at the TCM Movie Database
  • The Pebble and the Penguin at The Large Cartoon DataBase
  • The Pebble and the Penguin at AllMovie
  • The Pebble and the Penguin at Box Office Mojo
  • The Pebble and the Penguin at Rotten Tomatoes

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Source: https://en.wikipedia.org/wiki/The_Pebble_and_the_Penguin

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